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The modern harpsichord and its potential

The modern harpsichord and its potential

interview-dancer-month-benjamin-freemantle-october-2018

interview-dancer-month-benjamin-freemantle-october-2018

Commedia dell'arte heute: Don Pasquale an der Staatsoper Hamburg

Commedia dell'arte heute: Don Pasquale an der Staatsoper Hamb…

The Nutcracker

The Nutcracker

The trumpet shall sound: Marin Alsop on reinventing Handel’s Messiah

The trumpet shall sound: Marin Alsop on reinventing Handel’s Me…

Drunk on love and wine: Jacques Offenbach’s Les Contes d’Hoffmann

Drunk on love and wine: Jacques Offenbach’s Les Contes d’Hoffmann

The wolf returns: Debbie Wiseman talks The Mirror and the Light

The wolf returns: Debbie Wiseman talks The Mirror and the Light

Everything Jewish and everything Canadian: Sharon Azrieli

Má vlast: freedom, resilience and Czech identity

Andreas Ottensamer on the Viennese clarinet tradition

Laid back intensity: Ryan Bancroft at the Royal Stockholm Phil

A Flight Through the Music of Joe Hisaishi

Art as propaganda: Eisenstein and Prokofiev

A voice of one’s own: Ingrid Fliter at the piano

Brahms’ muse: Richard Mühlfeld, autumnal inspiration

Bachtrack top ten: Johann Sebastian Bach

Puccini and the moderns: a composer in the 20th century

Happy End für Salome? Christof Loys Inszenierung in Helsinki

Serious about comedy, obsessed by music: Laurent Pelly

The hidden folk history of Christmas carols

The viola in the history of stringed instruments’ making

Emőke Baráth: a Baroque reference voice looking at bel canto

A survivor from Transylvania: the life of György Ligeti

Virtual Togetherness: Can virtual choirs replace the real thing?

Ten works that shaped contemporary music

Get Bach! Vienna Boys Choir go Lutheran

Sensuality and modern music: Barbara Hannigan

A knight at the opera: Sir Antonio Pappano bows out

Bach’s St Matthew and St John Passions

Time magician: Jonathan Nott explores The Rite of Spring

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