“I’ve always had overlapping ways of going about my work,” Bruce Nauman once remarked. “I’ve never been able to stick to one thing.” 1 For more than 50 years, he has worked in every conceivable ...

MoMA | Meet MeAbout The MoMA Alzheimer's Project The MoMA Alzheimer's Project was a special initiative in the Museum's Department of Education.The initiative took place from 2007 to 2014 and was ...

The human body is central to how we understand facets of identity such as gender, sexuality, race, and ethnicity. People alter their bodies, hair, and clothing to align with or rebel against social ...

Gabriele Münter quoted in Annegret Hobert, Wassily Kandinsky and Gabriele Münter: Letters and Reminiscences 1902–1914 (Munich and New York: Prestel, 1994), 54. Münter quoted in Hobert, Wassily ...

Sundial belongs to Clark's Animals series, begun in 1960—a group of metal sculptures whose forms can be endlessly modified. The works in this series are flat, curving structures that fold in different ...

As we launch a new participatory blockchain art project, hear from artists already working in web3.

Explore Vincent van Gogh’s beloved painting in astonishing detail in this behind-the-scenes look at a new imaging tool.

Join a mental health illustrator for an imaginary trip through MoMA’s galleries and reflections on how art can elicit emotion.

In the echo of Belgian artist René Magritte ’s words, the mystique of his painting The Lovers becomes immediately apparent. At first glance, the canvas appears to depict an ordinary display of ...

In late April 1919, as the sun began to warm after the long dark winter, artist Hilma af Klint ventured out into the fields and forests near her home and studio on the island of Munsö, not far from ...

“The more you look, the more you see,” says Anne Umland, The Blanchette Hooker Rockefeller Senior Curator of Painting and Sculpture, of Remedios Varo’s painting The Juggler. The Juggler is this ...

Explore VanDerBeek’s “experience machine,” first built in 1965 to connect the world through the “visual velocity” of immersive image networks.