Editors unveil AT’s annual Top 10 Most Produced Plays and Top 20 Most Produced Playwrights lists and chat with Irene Sankoff, David Hein, and the ubiquitous ...

In 1965, the Hart-Celler Act opened up the U.S. to immigrants from Latin America, Africa, and Asia, abolishing “national origins” quotas that had previously favored European countries. Set eight years ...

At the 29th Philadelphia Fringe Festival, now running through Sept. 28, the city itself is both audience and performer. Programming director Mikaela Boone describes the festival’s mandate as creating ...

As we look forward to this year’s theatre season across the U.S., our Fall issue also takes stock of lessons from history. I can still recall the first few times my kids started to begin sentences ...

Ahead of a fall tour of the new concert musical ‘Dear Everything,’ V (formerly Eve Ensler) reflects on the climate change crisis, the ‘vagina that could,’ and her vision for collective action through ...

A true resident theatre actor, she will be greatly missed by all who collaborated with her or saw her work. A review of ‘Peter Hall’s Diaries: The Story of a Dramatic Battle,’ by Peter Hall, edited by ...

Checking in with Luis Alfaro about the end of USC’s MFA in Dramatic Writing, plus other fall education updates. I hope you all are settling into September. It sure feels like New York flipped a switch ...

5 plays about the history of gender nonconformity created by TGNC artists have been commissioned, which the artists will spend the next 2 years developing. “I was really excited to amplify artists ...

At American Theatre, we believe that the most important decision we make is whose stories we tell. Our editorial values are accountability, advocacy, creativity, diversity, excellence, innovation, ...

Things aren’t always black and white—especially when it comes to relationships. When Dean, a young professional, and Danya, an aspiring singer, go on a refreshingly candid first date, they keep it ...

A roundup of comings and goings at the top of U.S. theatre institutions. Johannah Maynard Edwards and Barbara Goodhill. Support American Theatre: a just and thriving theatre ecology begins with ...