Of all the art forms none is as immodest as architecture. It thrusts itself in the eye of the viewer, caring naught for opinion. The Ozymandian statement is simple: ‘Here I am. Gaze upon me.’ Given ...
This is a thoughtful and important book by a first-rate historian, and deserves to become required reading for those who seek to advance their understanding of the Somme beyond the historiographical ...
HAVING SERVED ONLY half of his four-year sentence for perjury, Jefrey Archer was released from prison last July. In celebration, Macmillan Audio Books is releasing freshly abridged titles. This one ...
Writing about nature is no stroll in the park. I speak from experience, having set a novel on a farm in the 1970s and taught creative writing in various rural parts of England. Sometimes we send ...
‘My books are simply autobiographies,’ Mark Twain once confessed. True of most American writers, it seems especially true of a man who, as Ron Powers argues in this magisterial biography, ‘found a ...
Which famous philosopher wrote, ‘I have experienced so much, happy and sad, enlivening and dispiriting, but God has led me safely through it all as does a father his weak little child’? The words are ...
When, in 1842, Queen Victoria saw Jenny, an orangutan that had recently arrived at London Zoo, she is reported to have commented that she found the ape ‘disagreeably human’. Like Charles Darwin, who ...
Ever since Shakespeare labelled Richard, Duke of Gloucester, a ‘murderous Machiavel’, the word ‘Machiavellian’ in popular culture has meant being devious, cunning, scheming and quite prepared for the ...
Augustus’s victory over Mark Antony at the Battle of Actium in 31 BC left him in control of the Roman world after a period of civil war that stretched back to Julius Caesar’s crossing of the Rubicon ...
In the long history of Western culture, it is given to very few to have an entire era named after them. Socrates sits within Antiquity, Leonardo da Vinci within the Renaissance; even Shakespeare has ...
The Italian Renaissance has been exercising its magnetic power over tourists, scholars, composers, playwrights, artists and novelists since its beginning. Indeed, there is now held to have been a ...
The epigraph, taken from William Cowper, to Part Four of Jonathan Coe’s engrossing, labyrinthine Number 11 is crucial to understanding where Coe is now as a writer. It refers to one of the book’s ...
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