Cinesite Animation’s second animated feature is inspired by the stage show “Riverdance,” and will feature the Grammy-award winning music from the production, composed by Bill Whelan.

Cinesite has continued to bolster its international footprint with the purchase of a majority stake in the Balkans-based visual effects studio FX3X. Terms of the acquisition were not disclosed ...

Cinesite and FX3X will also partner to launch an entry-level paid training program for Macedonian students. 60 students will undertake the training which is set to run from September until January ...

Cinesite gave no word on the current status of the Nitrogen Studios management, other than to say the U.K. parent will “be working with the Nitrogen senior team to develop a clear strategy to ...

If you want to work for Cinesite, you no longer have to live in the orbit of London, Montreal, or Vancouver. In the wake of lockdowns, the studio has embraced flexible working for good.

Avengers: Endgame and Game Of Thrones VFX firm Cinesite has secured investment from Gryphion Capital Investments and new banking facilities from Barclays and NatWest which amount to $112M.

Cinesite says that it is looking to boost its computer animation capabilities to the point where it can create a fully CG-animated pic, similar to DreamWorks/PDI and Pixar.

Cinesite will share work on The Man From U.N.C.L.E. between London and Montreal, where the Canadian province offers generous tax credits for visual effects and other digital work.

Eastman Kodak, which has owned the company since it was established in 1991, sold Cinesite to Endless LLP, an independent British private equity house with holdings in non-entertainment companies.

Michael Fink, an Oscar-nominated visual effects supervisor for work on "Batman Returns," who more recently won kudos for work on "X-Men," has accepted a post as senior visual effects supervisor at ...

Cinesite recorded revenue of GBP25.8 million ($41.7 million) in its 2010 full-year results.

Additionally, Cinesite will also be providing on-set visual effects supervision for the production, which will be overseen by Sue Rowe. The film will be directed by Garth Jennings of Hammer and Tongs.