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Special effects wizards have brought to life two of this season’s most buzzed about series - The Last of Us and The Penguin.
Showrunner Ryan Condal, director Alan Taylor and more of the 'House of the Dragon' creative team take us behind the scenes of ...
A complicated battle centered on MOVA ... up the CG rendering of Dan Stevens’ Beast — through the use of VFX technology called MOVA Contour Reality Capture. “When you see Beast onscreen ...
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Creative Bloq on MSNYou're not supposed to notice it – inside the hidden art of animation and VFX in Guild Wars 2Game art comes to life when animators and VFX artists combine their skills. In online role-playing game Guild Wars 2, where ...
Season 3 had a hardcore number for VFX,” Andy Scrase says about The Wheel of Time during our Gold Derby "Meet the Experts" ...
One sequence sees Black Adam in a stand-off with the Justice Society of America — Hawkman, Doctor Fate, Cyclone and Atom Smasher — in a street battle scene. Weta FX stepped in for the first of ...
Visual effects workers as part of IATSE's VFX union have overwhelmingly ratified their first negotiated contracts with Marvel ...
Horton says the VFX team worked tirelessly with Condal, Taylor, and editor Katie Weiland to finesse the moment of connection between Meleys and Rhaenys that would let the futility of the battle ...
However, the VFX team didn’t have time to build all those shots, so we used proxy images. The actors could watch “tracer bullets” whiz past and see explosions in midair and the eyelines ...
One of the year’s most visually striking movies, the sci-fi adventure Alita: Battle Angel, is a film more than a decade in the making. It tells the story of a cyborg revived by a kind scientist ...
Failes details VFX supervisor Phil Tippett, who had experience on Jurassic Park, and his collaboration with Verhoeven to pull off the movie's large-scale battle scenes with thousands of gigantic bugs.
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