She adds: "After subsequent re-watches, I've managed to get at least a pragmatic handle on the way the story ends, but I still find the 'what if' sequence to be the very best example of the film's ...

A sign about two-thirds of the way around the Arsenale reads: ‘We are fucked! You can change it!’ The statement by HouseEurope! responds to curator Carlo Ratti’s emphatic call to engage with urgent ...