His 1874 woodblock print “School for Spooks, No.3,” from the series “Drawings for Pleasure,” shows a swarm of slimy, green demons squeezed into tiny desks and awkward-fitting Western ...

Kitagawa Utamaro I, Onitsutaya u2028Azamino and Gontarō, a Man of the World, from the series True Feelings Compared: The Founts of Love, circa 1798-99, woodblock print, ink and color on paper, 15 ...

In the 1820s, the ink of the woodblock prints and that of tattoos on skin began to influence one another. They shared the popular imagery of dragons, demons and monsters, as well as allusions to ...

Influenced by pop art and advertising, a group of 20th-century Japanese artists on view at the National Museum of Asian Art crossed mediums in experimental prints.

Find out more about what this space is all about here. These woodblock prints, produced in Japan in the late 19 th century, represent battles with the diseases of cholera and smallpox.

An exhibition of Japanese woodblock prints, highlighting changing fashions and evolving print technologies in that country from the late 1600s through the mid-1800s, will run from Jan. 18 through June ...

Japanese Woodblock Prints (1680-1938), by Andreas Marks.622 pagesTASCHEN, Art. Without much apparent effort, he churned sketches by the hundreds, for books or single-sheet woodblock prints.

Return to the Edo period during filmed presentations at the University of Washington on Nov. 1-2, and explore the traditional Ukiyo-e woodblock prints that have become one of the island nation’s ...

Color woodblock print. Santa Barbara Museum of Art, Gift of the Frederick B. Kellam collection. The earliest works included in the collection come from an 1802 edition of The Book of Amusements from ...