Literate in tone, far-reaching in scope, and witty to its bones, The New Yorker brought a new – and much-needed – sophistication to American journali ...

If Godard’s filmography was placed on a spectrum from linear to discombobulated, King Lear (1987), his postmodern ...

Chantal Akerman’s rarely screened, dance-like drama of lovers’ encounters, separations, and reunions is newly available to ...

Simone Ashley and Hero Fiennes Tiffin reconnect as she seeks a date to her sister’s wedding in the trailer for Amazon MGM ...

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