Paul Simon guitarist Jim Oblon shows you how to tailor your leads to the classic I-VI-II-V progression – a jam night staple that’s a lot of fun, too ...

Figure 1 presents a 12-bar blues shuffle in the key of E, starting with three bars of switching on each beat between two-note voicings of E5 (E and B), E6 (E and C) and E7 (E and D), implying an ...

The tension is then released with some classic C blues scale soloing over the implied C7 chord. GTC365 Philip Sayce video masterclass. Example 6. Blues turnaround 2.

I begin over F7 with a simple melody based on F major pentatonic (F, G, A, C, D). In bar 2, I set up the arrival of D7/A by playing Eb, a half step above the D root, which is known as the flatted ...