Blake Gopnik’s life of Andy Warhol is less the chronicle of an advance towards death than a protracted postmortem. Gopnik begins halfway through, at what must have seemed to Warhol like the end. In ...

It seems to be the season of ‘double lives’. I have on my desk galleys of The Double Life of Paul de Man, the reader-proof doyen of deconstruction who began his career in Belgium during the Second ...