I ARRIVED in Montreal to bad news from the museum. Not only would I not be allowed onto the roof to see the skylight, but I also wouldn’t have access to the Michal and Renata Hornstein Pavilion, where ...

KB: This period, of developing mapping projects and visually working with the land on a more macro level, was the first time that I began exploring my cultural heritage in my art practice. Prior to ...

Black scholars, activists and artists respond to the present "moment"—Christina Battle, Dionne Brand, Denise Ferreira da Silva, Chantal Gibson, El Jones, Anique Jordan, Robyn Maynard, Charmaine Nelson ...

Black Power and the Art Community. In Mounting Frustration: The Art Museum in the Age of Black Power, Susan Cahan writes about how art museums have historically exhibited a pattern when it comes to ...

Following “Sakahàn” in 2013, “Àbadakone” is the second in an exhibition series that showcases global Indigenous contemporary art. What brings together the artists in this exhibition is a shared ...

There’s no way around it: white-dominated leadership is unethical and irresponsible. It’s a standard that must change now if our public art museums have any hope of reckoning with the colonial ...

Youth artists are leading and organizing actions for Wet’suwet’en in Vancouver, in Wet’suwet’en territory and across Turtle Island. Last week, the kinship collective occupied the Museum of Modern Art ...

Richard William Hill continues his explorations of 1980s and 1990s Indigenous art to outline 10 works that changed how we "imagine our place in the world." Note to the reader: I am using this monthly ...

Maya Wilson-Sanchez: Many of the archives we visited for this project have an interest in caring for the material past of those in the social network of the (mostly) white men we researched.Their ...

At 82 years of age, photographer Fred Herzog doesn’t move quite as quickly as he used to. But then, few people ever did. In his younger days, Herzog was the kind of guy who’d jump on his Norton ...

Resurgence of the People picks up where Welcoming the Newcomers leaves off. Situated in contemporary times, Resurgence of the People is a snapshot of what Indigenous folks are witnessing and ...

Preston, 2007.Designed by David Woods. Quilted by Laurel Francis. Pieced, appliquéd, machine- and hand-stitched, hand-dyed quilt with photo transfers, 1.47 x 1.32 m.