For Disney+’s “Andor,” an erudite elucidation of the prequel universe first seen in the film “Rogue One: A Star Wars Story,” visual effects supervisor Scott Pritchard took things back to ...

VFX supervisor of Disney+'s "Star Wars" prequel series "Andor," Scott Pritchard, says they stuck to basics established by "Rogue One." ...

Making movies in the Marvel Cinematic Universe isn’t cheap. The huge budgets are partly why Marvel films need to earn so much ...

Three VFX artists who worked on Quantumania anonymously spoke to Vulture, explaining that budget issues are at the root of the visual problems, with certain MCU movies being prioritized over others.

Post-production VFX is typically outsourced to various VFX production houses, where Vulture reported Marvel is known as an industry “bully” that can “ruin careers.” ...

One VFX artist said the team that was working on “Avengers: Infinity War” and “Avengers: Endgame” found out that Marvel had bumped the release of the film up through a cowor… ...

Though this union only includes Marvel’s in-house VFX workers, its parent company Disney’s visual effects crews filed for their own election to unionize with the NLRB, and backed by IATSE, at ...

There were 18 eligible voters in Walt Disney Pictures VFX workers’ union election, with 13 voting in favor of unionization and zero voting against, IATSE said. They are part of Walt Disney ...

Networks and streamers have been exploiting people for too long.” Marvel’s VFX workers have indicated they’d like the election for IATSE representation to be held as early as August 21.

But serious VFX are another matter, and the higher fidelity of today’s cameras and displays demand improved quality in CG, something that has kept the cost and barrier to entry high. Wonder ...