Renzo Piano Building Workshop has been awarded planning approval for Feilden House, a 26-storey residential building at London Bridge Quarter, directly adjacent to the Shard.

Renzo Piano Building Workshop has announced the completion of a new facility for the Ontario Court of Justice. The largest courthouse in Ontario will consolidate the court’s various offices ...

Designed by the Renzo Piano Building Workshop of Genoa/Paris/New York and Kendall/Heaton Associates of Houston, the highly anticipated expansion of the Kimbell Art Museum opens on Wednesday, November ...

Six months after Renzo Piano Building Workshop’s dual-tower Soho condo topped out, the 30-story building is now fully clad in its glass facade, construction site photos reveal.

Seven years in progress, the new Renzo Piano Building Workshop (RPBW)–designed Istanbul Modern Museum will open on May 4.Opening to views of the Bosphorus, the museum sits across the water from ...

Renderings by Steelblue, Architecture by Renzo Piano Building Workshop in collaboration with Mark Cavagnero Associates. In 2016, Pritzker-winning Italian architect Renzo Piano announced he’d ...

Renzo Piano Building Workshop’s first condo development in Manhattan, 565 Broome Soho, has been in the works for several years—construction began in 2016, and it’s been steadily rising ever ...

Work is complete on Renzo Piano's Academy Museum of Motion Pictures. The project involved renovating the original 1930s Saban Building on the site, as well as adding an eye-catching new glass and ...

ArchDaily reports that Renzo Piano Building Workshop has been granted planning approval for its residential building at London Bridge Quarter—a 26-story apartment tower dubbed Feilden House.. The high ...

It's impossible to visit London and not notice the Shard, one of the most well-known schemes by the Renzo Piano Building Workshop. The tallest building in the UK and the fourth tallest in Europe at 95 ...

He set three-quarters of the 101,130-square-foot building below ground. Though the decision was driven by Mr. Piano’s desire not to overpower Mr. Kahn’s masterpiece, “having a huge amount of ...

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