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COLUMBUS, Ohio — Opera Columbus returns to the stage of the Southern Theatre this weekend for Mozart's "The Marriage of Figaro." A screwball comedy centered around Count Almaviva's attempts to ...

Performances in N.Y.C. Advertisement Supported by Critic’s Notebook Joana Mallwitz is in calm, stylish command making her debut with Mozart’s “The Marriage of Figaro,” running in repertory ...

Isabel Leonard and Lawrence Brownlee star in Rossini’s II Barbiere di Siviglia at the Metropolitan Opera ... Davide Luciano is Figaro in Rossini’s II Barbiere di Siviglia. Photo: Marty Sohl Leonard is ...

Isabel Leonard as Rosina in Rossini's "Il Barbiere di Siviglia." Photo: Marty Sohl / Met Opera ¡HOLA! connected with the soprano to learn about her beginnings in Opera, her background ...

The Palm Beach Opera kicked off the opening night of its final production of the 2025 season, Mozart’s "Le nozze di Figaro," (The Marriage of Figaro) on Friday night at the Kravis Center.

When it comes to Mozart’s opera "The Marriage of Figaro," Adam Plachetka has sung ... Plachetka also is doing more Mozart for the Met this year in September and October, when he sings Leporello ...

Opera Santa Barbara’s (OSB) next production will be “The Marriage of Figaro” (1786), with music by Wolfgang Mozart, and a libretto by Lorenzo da Ponte, based on the 1784 play of the same ...

For more than 200 years, Gioachino Rossini’s “The Barber of Seville” and Mozart’s “The Marriage ... the opera’s overture in “Rabbit of Seville.” The music that accompanies Figaro ...

But Hoehn has now cut out the overture stage business (no great loss), and the opera is sung in its original Italian ... in exquisite contrast with Figaro’s philippic, just ended. But if her voice ...

Properly, blissfully funny, it manages to make one of opera’s most tangled plots not only clear but idiomatic. A comedy of dowries and feudal rights, notaries and ladies’ maids somehow scrubs up fresh ...

It’s one of the world’s most-performed operas. The sound of its score is only one of the many reasons why. CBS Chicago's Vince Gerasole spoke with the director of Mozart’s masterpiece ...