In addition to major works Opera's 51st season will include its annual free outdoor concert and a piece that celebrates ...

Countertenor Anthony Roth Costanzo sings Figaro, Susanna, the Count, Countess, Cherubino, Antonio and Barbarina in Mozart’s “The Marriage of Figaro” at New York’s Little Island, stretching ...

Indeed, this Figaro’s sleeves are so stuffed with tricks it sometimes feels like it’s in an arms race with itself — and, at the same time, the physical truth of the gesture is a wonder.

For more than 200 years, Gioachino Rossini’s “The Barber of Seville” and Mozart’s “The Marriage of Figaro” have been among the best-known operas in the world, with comical stories and ...

The majestic strains of Mozart set the stage for the opening production of the season for the New Orleans Opera when the wedding bells chime for "The Marriage of Figaro" on Sept. 29 and Oct. 1 at ...

While the title card reads “Anthony Roth Costanzo *is * The Marriage of Figaro,” that is not strictly true. For the major ensembles, Costanzo sings atop with tracks of himself.

He adds Figaro, Susanna, the Count, Countess, Antonio and Barbarina, stretching his voice 3 1/2 octaves in an invigorating and entertaining 95-minute reinvention of a work that premiered in 1786.

This image released by Little Island shows, from left, Christopher Bannow, Anthony Roth Costanzo and Emma Ramos during a performance of "The Marriage of Figaro" in New York on Aug. 30, 2024.