Julia Margaret Cameron, “Annie” (1864). The photograph, on view at the Morgan Library & Museum, was one of the earliest Cameron made, and she said it was “my first success.” ...

Lord Tennyson Wikimedia Commons When Alfred, Lord Tennyson first saw the photograph that his friend Julia Margaret Cameron took of him in May 1865, he joked that he looked like a “dirty monk ...

On Monday, February 17 at 6 p.m, Dr Marta Weiss, Curator of Photography at the Victoria & Albert Museum, UK will present an illustrated introduction to Julia Margaret Cameron’s life and career ...

Hujar’s sitters resemble the psychologically complex portraits of Julia Margaret Cameron in their confident self-possession and intimate disclosure. Some of them were famous—Waters, William ...

JULIA MARGARET CAMERON was a British pioneer of photography. Born in Calcutta, the daughter of an official of the East India Company, she was entirely self-taught and only took up the camera as a ...

Portrait of Sir John Herschel by Julia Margaret Cameron. To find out more about this particular photograph, scroll down to read “The woman who gave us this photograph.” | Photo Credit: Julia ...

One Fine Show: The Photographs of Julia Margaret Cameron at Milwaukee Art Museum “Arresting Beauty" brings together more than ninety works spanning photos, paintings and archival objects related ...

Julia Margaret Cameron, “The Angel t the Sepulchre” (1869–70) Francesca Woodman, from the series Portrait of Paolo Missigoi, Owner of the Libreria Malador, Roma (c. 1977–78) ...

On view through July 28, 2024, “Arresting Beauty: Julia Margaret Cameron”) at the Milwaukee Art Museum, is a rare opportunity to see her photos, explains Kristen Gaylord, the museum’s Herzfeld Curator ...

From left to right: Julia Margaret Cameron, The Dream (Mary Hillier) (1869). Courtesy of the Wilson Centre for Photography. Francesca Woodman, Untitled (1979).

Cameron (1815-1879) came late to photography, in her 50s; Woodman took her own life aged just 22 in 1981. As such, to present their work side by side, as this exhibition does, might seem strange.

In any history of photography, and quite independent of gender, Julia Margaret Cameron, most celebrated Victorian woman to wield a camera, and Francesca Woodman, whose enigmatic staged pictures ...