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Dutch still-life paintings omitted the ‘human cost of colonial warfare and slavery’ that underlay the bounty these canvases ...
By Hope HamiltonSitting in his East Hampton office at the Ross School last week, Christopher Engel reflected on everything ...
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Stadium Rant on MSNHalfway To Home: Big Four Awards For MLB's First HalfThis week was Major League Baseball’s All-Star Game, where the best of the best in baseball play in an annual exhibition for Our National Pastime. Before the second half of the 2025 season begins, ...
Artistic personalities will be showcased in this eclectic collection. The “Wall To Wall” exhibition will be on display Thursday through July 26 at Gallery on Gazebo, 140 Gazebo Park in downtown. The ...
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ARTnews on MSNAthens Exhibition Says the Revolution Could Begin on Your PlateRise Pigs (2025), it is one of the most pointed and heart-wrenching works in "Why Look at Animals: A Case for the Rights of Non-Human Lives," on view at the National Museum of Contemporary Art in ...
The Schweinfurth Art Center’s current exhibition “Imprinted on Cloth” showcases four fiber artists whose work crosses the ...
Description Art exhibition poster featuring a grid with thirteen rows. Within each grid unit is a geometric shape showing variations/permutations of drawing parts of an open cube; each variant is ...
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Smithsonian Magazine on MSNJane Austen Never Loved Bath—but Bath Loves Jane Austen. Now, the City Is Exploring Why the Novelist Was So Unhappy ThereTo celebrate the author's 250th birthday, a new exhibition spotlights her complicated relationship with the English city ...
A summertime exhibition of Nadia Myre and Skawennati’s work reconstructs colonial memory and imagines an Indigenous future ...
Acrylic paintings, needle felting and silk dying are all part of the Station House's lower gallery exhibit showing until August 23 ...
How pain, trauma and politics silenced art criticism ART | EDDY FRANKEL | My friend winced. He’d asked for my thoughts on a ...
Nearby, a “Black Is Beautiful” poster by photographer Kwame Brathwaite, who popularized the phrase in the 1960s, beams from the exhibition wall.
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