In af Klint’s case, there’s the further hitch that, on her own terms, she operated outside time. “Group IV, The Ten Largest, No. 7, Adulthood,” from 1907.

Almqvist said that the copyrights to Hilma af Klint’s works held by the foundation expired in 2014, and that, contrary to the assertions in the suit, Ax:son Johnson had donated hundreds of ...

Here’s How the Hilma af Klint Show Played Perfectly Into the Current Zeitgeist to Become the Guggenheim’s Most-Visited Exhibition Ever. The show made history with more than 600,000 visitors.

A proposed deal between the Hilma af Klint Foundation and David Zwirner gallery has hit a roadblock after it was opposed by the artist’s great-grandnephew Erik af Klint.