Then truly break through in America with an album and tour under the tongue-in-cheek title… Music For The Masses. Of course, Depeche Mode's story is much more nuanced, and frequently as tragic as it ...

Released as the lead single from Music for the Masses, “Strangelove” acts like a perfect balancing act between Depeche Mode’s pop-leanings that helped spark the band’s creation and the ...

Despite being buried on the B-side of the “Strangelove” single and released later as a bonus track on Music For The Masses, “Agent Orange” is Depeche Mode’s finest instrumental.

In “Ghosts Again,” one of many introspective moments on Depeche Mode‘s 15th full-length ... sound of Black Celebration and Music for the Masses; “Everything will be all right in time ...

The 1989 concert documentary Depeche Mode 101 captures the band at the moment of breakthrough. The title alludes to the 101st and final performance of the band’s Music For The Masses tour ...

Depeche Mode ... 1988's Music for the Masses tour. The segment included stage introductions and interviews with all acts—Wire, Thomas Dolby, O.M.D., and Depeche Mode—and celebrated the ...

‘Music For The Masses’ is so good that ‘Behind The Wheel’ can start off like Tiffany’s ‘I Think We’re Alone Now’ and Depeche Mode still lose none of their black-garbed punc ...