If Godard’s filmography was placed on a spectrum from linear to discombobulated, King Lear (1987), his postmodern ...

When it came time to decide what movie would kick off this year’s Through the Lens of Black Women series at the Museum of ...

For this month’s Female Filmmakers in Focus column, RogerEbert.com spoke to Davis over Zoom about the film’s long journey ...

Some of the later sequences manage to capture the sensation of your mind interpreting something odd and out of place as an ...

In the abstract, all musicals are weird. People don’t just start singing at dramatic moments in real life, so the genre ...

The fact that I have to jump through so many hoops to be a legal immigrant after so many museum acquisitions and exhibitions ...

In the era of digital-first media, copies of films and TV shows that you actually, physically own have gone the way of ...

You can watch ‘Waiting for Guffman,’ ‘True Stories,’ and ‘The Science of Sleep’ for free, right now, and there’s no catch.

The renaissance of Indian craft and textile has assumed new dimensions, courtesy modern practitioners with a high appetite ...

Francis Ford Coppola is no stranger to box office bombs, but there is one that he loves more than any of his other films.

One of Canada's most idiosyncratic fantasists discusses the links between Iranian cinema, architecture, and cultural exchange.

Eric Bana visits Criterion Closet, where he praised Anthony Hopkins' work in 'Silence of the Lambs.' Watch here.