HORSE SENSE: The racetrack heist movie The Killing was the first film Kubrick (right) and Harris made together. “Stanley pretty much knew in his guts what he wanted to do, and then did it.” In a sense ...

Despite being renowned for his distinct vision and style, Stanley Kubrick wasn't always appreciated, and one of his early films was met with backlash.

Today, The Killing may seem like a typical noir film that isn’t as recognizable as Kubrick’s more distinctive films. It may ...

In 1953, Kubrick made his first feature-length movie, “Fear and Desire.” He got his big Hollywood break with “The Killing” in 1956, but it was 1960’s “Spartacus” that made him a star.

Kubrick swiftly established his brilliance with his early works, especially the crafty 1956 film noir The Killing. Wishing for that impression to remain fixed, he just as quickly made himself scarce.

In his career, Stanley Kubrick made an indelible impression on the world of film. Sure, that never earned him an Oscar for directing, but he’s in good company on that front. While his style was ...

The use of an electronic score, similar to the one that Mann used in Miami Vice and Ferrari, helps to exemplify the technical ...

In the summer of ’62, my father received a fateful assignment from Esquire to interview Stanley Kubrick whose film Lolita was about to be released. Terry admired Paths of Glory, The Killing, and ...

HORSE SENSE: The racetrack heist movie The Killing was the first film Kubrick (right) and Harris made together. “Stanley pretty much knew in his guts what he wanted to do, and then did it.” In a sense ...

In 1953, Kubrick made his first feature-length movie, “Fear and Desire.” He got his big Hollywood break with “The Killing” in 1956, but it was 1960’s “Spartacus” that made him a star.