The Download is a series of Rhizome commissions that considers posted files, the act of downloading, and the user’s desktop as the space of exhibition. Material Speculation: ISIS/Download Series (King ...

“Imagine if we could begin our little life all over again. Imagine if it was all nothing more than some electronic game. Imagine if I knew then what I know now.” —Deus Ex Machina, Automata, 1984 If ...

Cover image: Screenshot of BookStory’s opening title screen, featuring the interior of the Kurome Shobo bookstore. Usually, a Google Sheet is the site of bureaucratic misery and numbing digits; the ...

Screenshot of work in progress, David OReilly, "A Glitch is a Glitch" (2013). Episode of the television series Adventure Time. David OReilly is a 3D animator’s 3D animator. Embracing a stripped-back ...

Maja Cule, Hanging from the 8th floor of the South side of The Trump Building at 40 Wall Street, (2013) (featuring: Marlous Borm). From “Performance GIFs,” 2013, curated by Jesse Darling. Screenshot, ...

Courtesy grouphab.it and Harm van den Dorpel. An extended and altered version of this text will be published in... You Are Here: Looking at After the Internet (Cornerhouse Books 2014), edited by Omar ...

Artists have been actively documenting the impact of the use of drones in warfare for some years now. Trevor Paglen’s Drone Vision, recently on show at Lighthouse in Brighton, provides us with a ...

This essay accompanies the presentation of Electronic Disturbance Theater's FloodNet as a part of the online exhibition Net Art Anthology. What is the relationship between data bodies and real bodies?

The latest in a series of interviews with artists who have a significant body of work that makes use of or responds to network culture and digital technologies. Simone Krug: So much of your work is ...

This interview is part of a series of interviews with artists who have a significant body of work that makes use of or responds to network culture and digital technologies. Angela Washko: In the ...

Amazon used to have literary ambitions. In the late '90s, the company hired professional editors who commissioned and wrote thousands of reviews a week, as well as features, interviews, and previews ...

Martine Syms, film still produced for the cover of Most Days (2014). LP. Mixed Media Recordings, Brooklyn. The undersigned, being alternately pissed off and bored, need a means of speculation and ...