There are few great works upon which fame has shone more unwillingly than Edward Elgar’s Violin Concerto in B minor—at least so far as the Boston Symphony Orchestra is concerned. True, this ...

There’s nothing like an anniversary to encourage an orchestra’s programming. Take Andris Nelsons and the Boston Symphony Orchestra. Intent on marking the occasion of Dmitri Shostakovich’s death fifty ...

The singers of Seraphim delivered an uplifting concert at Holy Name Parish in West Roxbury Saturday night. The program, titled “Inspired to Joy,” included works from the Renaissance to the 21 st ...

Who says old dogs can’t learn new tricks? The Boston Symphony Orchestra—now in its 144 th season—trotted out a fresh one with conductor Dima Slobodeniouk on Thursday night: eschewing the usual ...

Try though they might, not every season opener qualifies as a bona fide “event.” But Music Worcester’s did on Friday night. With the Philip Glass Ensemble on hand to curate a selection of the iconic ...

There was something conspicuously bracing about the Junction Trio’s concert on Saturday night at Jordan Hall. Maybe it had to do with the dose of emotional realism their program’s offerings of music ...

Since its founding in the late 90s, the Calder String Quartet has developed a sterling reputation for its wide-ranging programming and championing of contemporary music. Friday night at Jordan Hall, ...

A sold-out Symphony Hall witnessed a moving performance of Mahler’s Symphony No. 2 in C minor (“Resurrection”) by the Boston Philharmonic Orchestra under the baton of Benjamin Zander Friday night.

Given its theme, Puts’ score made for a striking contrast with Mozart’s exuberant Symphony No. 36. Written in the course of just four days in 1783, the “Linz” is among the composer’s most perfect ...

One Response to “Handel & Haydn Society serves up a delightful and sparkling “Marriage of Figaro”” Posted Nov 22, 2022 at 8:50 am by Richaard B. Beams. Greetings – Thanks for your fine and thorough ...

Collins certainly looked the part of a maestro, leading Sibelius’s Finlandia with energy and big, sometimes theatrical gestures. Yet the BSO seemed to treat him like the wacky uncle at the ...

As a rule, Germans don’t do American-style hyperbole. So perhaps the billboards recently up in Berlin declaring conductor Joana Mallwitz “the next big thing” were meant more as statements of settled ...