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See It Welcome to the Dynamic Island. The iPhone 14 Pro Max’s overall shape and industrial design haven’t changed much since the iPhone 12 ushered in a return to flat edges and glass faces ...
The iPhone 14 Pro and Pro Max are superb flagships that ... the Dynamic Island is still a blank space at the top of the screen. ... which is more than I can say for my Pixel 6 Pro and iPhone 12.
When Apple said that the iPhone 16 Pro Max had a larger 6.9-inch display, up from the iPhone 15 Pro Max's 6.7-inch screen, I joked that it's practically a "phablet." (Hey, there are tablets with 7 ...
Bottom line The iPhone 14 Pro and Pro Max are fantastic cameras, allowing photographers to capture more light, with more detail, at a higher resolution than ever before. Note that I didn’t say ...
Alongside the iPhone 14 Pro and Max always-on display, the Dynamic Island is one of two new screen features exclusive to the more expensive, higher-powered models in the iPhone 14 lineup.The new ...
12 Hidden iOS 18.3 iPhone Features ... iPhone 14 Pro Max, iPhone 15 ... you can get rid of app labels or the names of the apps that you see underneath each app icon on your home screen.
All of the iPhone 15 models are great, CR's test show. Here's advice on how to choose among iPhone 15 base model, iPhone 15 Plus, iPhone 15 Pro, and iPhone 15 Pro Max.
The new standout feature: The iPhone 14 Pro and 14 Pro Max swap out the notch for a small pill-shaped screen cutout that houses a revamped TrueDepth camera unit for Face ID, selfies and video calls.
The rest of the hardware is largely unchanged across the Pro and Pro Max: a 48-megapixel f/1.8 main camera, 12-megapixel f/2.2 ultrawide, and a 12-megapixel f/1.9 TrueDepth selfie camera around front.
Our Verdict . Almost everything the iPhone 16 does, it does very well. It has all the features most people need every day and a few more that are usually reserved for Apple’s Pro lineup.
About our Apple iPhone 16 Pro Max review. We originally published our Apple iPhone 16 Pro Max review in October 2024, when it was written by Christine Romero-Chan, and Andy Boxall updated it at ...
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