“Babygirl” follows Kidman’s character Romy — who is a married tech company CEO — as she engages in a risky affair with an intern at her company named Samuel (played by Dickinson).

Here, “Babygirl” appears to understand a common reality behind the kink: many accomplished, strong women (and men) want to turn their brains off and fully submit to the right Dom.

“Babygirl” writer/director Halina Reijn (“Bodies Bodies Bodies”) walks us through the movie’s erotic kink scenes and the unique way she captured masturbation on screen. Join our Watch Party!

‘Babygirl’ Review: Nicole Kidman Is Fearless in an Erotic Office Drama About the Age of Control Reviewed at Venice Film Festival (In competition), Aug. 30, 2024.

Watching “Babygirl” won’t land you on the naughty list. The R-rated thriller (now in theaters) is a tantalizing ode to female desire and liberation, following a married CEO named Romy ...

Babygirl ending meaning: What does the dog in Babygirl mean? So, what’s up with the dog? Well, believe it or not, the dog is a metaphor for how Romy feels when she’s being “tamed” in bed.

What “Babygirl” gets into, in the scene where Romy and Samuel meet up for an extended hotel-room tryst, is the shivery ambivalence Romy feels, her alternating current of fear and desire, ...

Babygirl is, inevitably, full of the stuff – not soft-lit, glamorous, Nineties-thriller sex, but charged, ungainly and guttural. Kidman crawls on her hands and knees, Dickinson thrusts about, ...

Facebook X Reddit Email Save. The following contains spoilers from "Babygirl" . There’s nothing subtle about a movie where Nicole Kidman crawls on her knees to lick milk out of a saucer. And yet ...

"Babygirl" filmmaker Halina Reijn has much to say about the movie's age gap. The movie stars Nicole Kidman, 57, a Golden Globe nominee for "Babygirl," and Harris Dickinson, 28. It explores the ...

Kidman and Bullock first starred as Sally and Gillian Owens, two sister witches who are plagued with a family curse that kills the men they fall in love with, in the 1998 film helmed by Griffin Dunne.