‘Tintoretto: Artist of Renaissance Venice’ Review: A Master’s Arrival The big, energetic, unwieldy paintings of Tintoretto come to Washington, spectacularly.

Tintoretto’s “Crucifixion” in this city’s Sala dell’Albergo (“board room”) of the Scuola Grande di San Rocco, completed in 1565, provokes hyperbole, and not just because of its ...

Tintoretto’s early work was strikingly uneven as well as stylistically varied. A large canvas portraying the mayhem surrounding the blinding of Saul on the way to Damascus (ca. 1544) amounts to ...

L ast week, I wrote about the first part of Jacopo Tintoretto’s massive retrospective, or career overview, in Venice. Shown at the Accademia, it ends as we like them to end: with fireworks, not ...