Her female nudes were extraordinary for the time because she portrayed female sexual desire. Her subjects defied conventional ideals of femininity. Suzanne Valadon, "Self-Portrait" (1927 ...

Suzanne Valadon’s “The Blue Room” (1923 ... as Valadon did in her 1909 “Adam and Eve,” a double portrait in which Utter tenderly directs Valadon’s hand up to the fatal apple.

There is only one English-language biography of the French artist Suzanne Valadon — Renoir’s Dancer ... A remarkable portrayal of herself and Utter as Adam and Eve, it is most likely the ...