Rembrandt VAN RIJN (1606-1669) Blind hurdy-gurdy player and his family receiving alms. 2 ex. etching and drypoint. Fine late-edition proofs on laid paper, one very yellowed with freckles, stains, ...

Rembrandt van Rijn Rembrandt, Christ and the Woman of Samaria: An Arched Print, 1657 12.4 x 15.8 cm. (4.9 x 6.2 in.) Medium Etching, 1657, a very good, black impression of New Hollstein's fourth state ...

VAN RIJN 1606 - 1669 CHRIST PREACHING (‘LA PETITE TOMBE’) (B., HOLL. 67; NEW HOLL. 298; H. 256) Etching and drypoint, circa 1657, a good “white sleeve” impression of New Hollstein’s first state (of ...

Mary’s pose is echoed in that of the sick woman collapsed at Christ’s feet. Rembrandt’s “Hundred Guilder Print" anthologizes almost all the events in Chapter 19 of the Gospel of Matthew.

3.75 x 5.75 in. (9.5 x 14.6 cm.) Christopher White, Rembrandt as an Etcher: A Study of the Artist at Work, Yale University Press, New Haven & London, 1999, p. 88; Original etching printed in black ink ...

The etching, a second state-print by Rembrandt himself, is dated to sometime shortly after 1635 and titled "The Stoning of St. Stephen," portraying the graphic death of the young deacon outside of ...

A Rembrandt etching which went under the hammer as part of an auction of internet entrepreneur and philanthropist Hugo Burge’s collection has sold for £225,200. Mr Burge, who died in 2023 aged ...

The etching, a second state-print by Rembrandt himself, is dated to sometime shortly after 1635 and titled "The Stoning of St. Stephen," portraying the graphic death of the young deacon outside of ...