There was the show’s titular painting, a wild, verdant evocation of her capacious backyard that, with its characteristic blend of her loose and tight brushstrokes, was as precisely and lovingly ...

One was enough: one flower, one painting, was the whole thing. This is what I care for most in Mondrian. Whether in solo flower or abstract field, he is teaching you the beauty of parts and wholes.

Finally, Jerome Silbergeld provides a state-of-the-field essay about recent trends and developments in the study of Chinese painting by art historians in the West. He is especially concerned with ...

The final result—all 148 million pixels of it—looks so much like a painting by Rembrandt during his lifetime that you’d be forgiven if you walked right by it in a collection of his work.