The M.C. Escher Exhibition opened in accordance with the MOA's monthly 'Art After Dark' event on Friday, Nov. 17. MOA marketing and public relations manager Kylie Brooks said shows are usually up ...

The optical illusions of the Dutch printmaker M.C. Escher (1898-1972) began finding mass appeal in the 1960s when they won a die-hard following among everyone from Mick Jagger, who had hopes of ...

By presenting Escher's work in its complexity, actuality and humanity, the Akron show has done the artist a posthumous service. It has helped to rescue him from his own success.

M.C. Escher, Bond of Union (1956). ©The M.C. Escher Company, The Netherlands; courtesy of Michael S. Sachs. Dorian Batycka August 17, 2022 Share Share This Article ...

The Akron Art Museum hopes to take viewers beyond the hard, glossy surface of Dutch artist M.C. Escher's fame and to create a clearer understanding of his work in "M.C. Escher: Impossible ...

M.C. Escher's works tend to evoke two reactions.First, you want to stare at them all day to unlock their mysteries. Second, you never want to meet their creator at a cocktail party.

M.C. Escher created landscapes and portraits, with lush detail and appeal, even without a speck of color. But he's known for his logic puzzle art.

It's rare for an institution to produce three shows on an artist within a decade. But it's happening at the Portland Art Museum with "Virtual Worlds: M.C. Escher and Paradox," the latest exhibit ...

Providing some orientation for the disorienting work of the Dutch printmaker M.C. Escher (1898-1972), the documentary “M.C. Escher: Journey to Infinity” takes its cues from Escher’s writings ...

I first took my kids to the M.C. Escher exhibit at the N.C. Museum of Art over Thanksgiving. My dad was in town and it seemed like the perfect family activity before settling in for a giant feast ...

M.C. Escher (1898–1971) is arguably the highlight of the show, as the Dutch graphic artist’s work has captured minds and imaginations for decades—both in and outside of the art world.

M.C. Escher, “Mummified Priests” (1932), lithograph, 8 x 10 4/5 inches During this time, Escher was still a naturalistic illustrator, rather than the optical illusionist he would become.