9. ‘Coda’ (1982) Led Zeppelin’s founding guitarist Jimmy Page pieced together Coda two years after the band broke up since they owed Atlantic Records one more album.

Led Zeppelin tried just about every visual trick to make their album covers pop, from die cutting and revisionist history to sci-fi-inspired surrealism and mysterious symbols and objects. One of ...

Hipgnosis Elevated the Concept of Album Covers in the 1970s Hipgnosis is an unusual name, but, for the studio creators Aubrey "Po" Powell and Storm Thorgerson, it worked perfectly as a pun on the ...

Led Zeppelin IV is the most popular album from Led Zeppelin, one of the biggest bands ever. The 1971 recording, which includes classic rock radio favorites “Stairway to Heaven,” “Black Dog ...

It still feels like a mirage, but Led Zeppelin came back to own the earth for one night only at London's O2 Arena. Tickets traded hands for around £1,000 outside on a guest list that included ...

The band was up against a deadline to hand in the album, writes George Case in Led Zeppelin FAQ. “When the proofs for the album came back, they didn’t look anything like the original artwork.

32. Collective Consciousness Society, “Black Dog” (1972) C.C.S., led by blues guitarist Alexis Korner, earned a minor hit in 1970 by covering Led Zeppelin's "Whole Lotta Love." ...

By Daniel Margolis On “How Many More Times,” the last song on Led Zeppelin’s 1969 debut album, Robert Plant sings, “Steal away now, steal away. Steal away, baby, steal away.” That they did.

During an appearance on 'The Howard Stern Show,' The Black Crowes revealed plans to release an expanded ‘Live at the Greek’ album, and played a Led Zeppelin song.

The only time rock legends Led Zeppelin and The Who ever shared a stage together in the United States was at the Merriweather Post Pavilion in Columbia, Maryland, on Sunday, May 25, 1969.

Releasing a documentary about album art in the age of streaming, when the 12-by-12-inch sleeve has given way to the digital thumbnail, seems almost quaint. But not for director Anton Corbijn.

Storm himself continued creating album covers for artists like Muse, Audioslave, and The Mars Volta from the late 1990s on, which showed that Hipgnosis' vision and style stood the test of time and ...