The art and automatons of Kara Walker. Walker’s new installation at the San Francisco Museum of Modern Art offers us visions from both the past and future. Kara Walker, Fortuna and the ...

“Kara Walker: Cut to the Quick” is an exhibit first curated by Dr. Susan Edwards and Ciona Rouse of Nashville’s Frist Art Museum in 2021; USC’s Fisher Museum of Art is the fifth stop on the exhibit’s ...

Kara Walker’s “Fortuna and the Immortality Garden (Machine)” at the San Francisco Museum of Modern Art, with an ensemble of seven automatons enacting a mix of chance and choreographed movements.

Kara Walker in 2022. Intertwining the digital and the handmade, ‘ “Fortuna” demands much more of us than many other “interactive” installations,” our critic says.

Kara Walker is one of the most successful and widely known contemporary African American artists today; she is remarkable for her radical engagement with issues of race, gender, and sexuality and the ...

Kara Walker, “The Ballad of How We Got Here,” 2021. Flashe, ink, and cut paper on paper. 124 ½ x 139 ¾ inches. (Images courtesy of the artist and Sikkema Jenkins & Co., ...

This year’s Weisman Art Museum (WAM) fall exhibition peers into the shadows of America’s glorified history and beckons forth what has been disremembered. WAM opened “Kara Walker: Harper’s Pictorial ...

In 2007, the Walker Art Center hosted her first major survey exhibition. Mullin thought the exhibition would resonate with Twin Cities audiences in this so-called “post-George Floyd” era.

Art Review At the Poetry Foundation, Kara Walker turns a new page “Back of Hand” offers a crucial exploration of the challenges and enduring aspects of Black womanhood.

Kara Walker’s “A Subtlety, or the Marvelous Sugar Baby,” which has been cut up and cleaned and taken away for recycling, is a contribution to the grand tradition of ephemeral art.

Admission to the Saint Louis Art Museum is free, and “Anything but Civil: Kara Walker’s Vision of the Old South,” exhibited in Galleries 234 and 235, is a free show.