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One of the great takeaways from the small, elegant, and wonder-filled show “Arresting Beauty: Julia Margaret Cameron” is how ...
According to the National Portrait Gallery, this new exhibition pairing photographers from different centuries and continents is a “risk”. Julia Margaret Cameron (1815-79) was a self-taught ...
Filed Under: Arts, Art Reviews, Museums, Julia Margaret Cameron, Milwaukee Art Museum, Victoria and Albert Museum SEE ALSO: Espoo Museum of Modern Art’s Krist Gruijthuijsen Rethinks Regional ...
One of the more difficult questions to ask a historian is: which three people from the past would they invite to a dinner party and why.
Cameron (1815-1879) came late to photography, in her 50s; Woodman took her own life aged just 22 in 1981. As such, to present their work side by side, as this exhibition does, might seem strange.
Julia Margaret Cameron (1815–79) was already forty-eight when she was given her first camera by her daughter and son-in-law gave in December 1863. She was intrigued by what she had heard of ...
Julia Margaret Cameron took up photography at the relatively late age of 48. She produced 900 photographs in a 12-year period, capturing 'famous men and fair women' in portraits and tableaus.
This accomplished collaboration chronicles the life and work of Julia Margaret Cameron, a 19th-century pioneer of elaborately staged, purposefully out-of-focus photographic portraiture. Cameron's ...
Object Details author Friedewald, Boris Contents Berenice Abbott -- Eve Arnold -- Anna Atkins -- Ellen Auerbach -- Jessica Backhaus -- Tina Barney -- Lillian Bassman -- Sibylle Bergemann -- Margaret ...
Author Bruson, Jean-Marie Cameron, Julia Margaret 1815-1879 Hugo, Victor 1802-1885 Maison de Victor Hugo Subject Cameron, Julia Margaret 1815-1879 Notes At head of title: Ville de Paris. Date 1980 ...
Julia Margaret Cameron King Lear and his three daughters (Agnes Mangles, Edith Liddel, Charles Cameron and Alice Liddell), 1872–1872 33.5 x 28 cm. (13.2 x 11 in.) close Medium Albumen Print Size 33.5 ...
That is what Cameron sought to capture on the glass plate negatives of her cumbersome view camera, and what we see in the 93 prints on display in “Arresting Beauty: Julia Margaret Cameron” at ...
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