Ahead of TEFAF Maastricht, Tamio Ikeda, of the Paris gallery Tanakaya, shares the complex history behind the woodblock print, and how mutual admiration may have saved it.

In Junk in the Trunk 14, Lark Mason III appraises Kawase Hasui Japanese woodblock prints, ca. 1922. Funding for ANTIQUES ROADSHOW is provided by Ancestry and American Cruise Lines.

The great Japanese woodblock prints by the artists Katsushika Hokusai and Utagawa Hiroshige are so influential, and so beautiful, you never need any excuse to see them. "Japanese Impressions" at ...

During the Edo period in Japan (1615-1857), woodblock printing was a common and popular art form. The Japanese took the Buddhist idea of ukiyo, or "the floating world," and interpreted the notion of ...

Icons Exploring Nature in Japanese Prints A new exhibition at Oregon’s Portland Art Museum shows how a cheap, popular art form produced enduring masterpieces Maki Haku, ‘Fuji san-12’ (1989).

The Madison Museum of Contemporary Art debuted “Bird and Blossom,” an exhibition of woodblock prints depicting simple relationships in the natural world, on Jan. 24. Curated by Eleanor Pschirrer-West, ...

Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that ...

Events Gaze at “Tattoos in Japanese Prints” at the MFA “Tattoos in Japanese Prints” features nearly 80 works by Utagawa Kuniyoshi, a great ukiyo-e master, and his contemporaries.

Put together by the Worcester Art Museum in Massachusetts, it is derived from the estate of businessman John Chandler Bancroft, which donated 3,700 Japanese woodblock prints to the museum in 1901.

Later woodblock prints reveal that landscape continued to play a pivotal role in the lives and identity of Japanese people into the 20th century.