“In its commitment to the brutality of Olaf’s naïveté about all things, including dying, we had made our intended audience scared for Olaf, rather than emotional,” he recalled. He ...
Though Gad calls the original scene "truly stunning," he postulates that "in its commitment to the brutality of Olaf's naïveté about all things, including dying, we had made our intended ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results
Feedback