There are no props in director Jamie Lloyd’s version of Henrik Ibsen’s drama “A Doll’s House” — no sets, no costumes (just plain contemporary clothing in dark blue), not even a curtain.

View a printable version of this page. By Harriet Mancey-barratt Lauded by independent thinkers upon its first performance, A Doll's House has long been the theatrical pet of feminists and ...

In “A Doll’s House, Part 2,” playwright Lucas Hnath cheekily proposes an answer to a question that has haunted the theater for more than a century: Whatever happened to Nora after she walked ...

When Henrik Ibsen’s play “A Doll’s House” opened in 1879 at the Royal Theater in Copenhagen, it was an instant success — and an outrage to many. The story of Nora, a woman who walks out ...