A 20-film retrospective in New York of the filmmaker Dario Argento’s work shows why he’s had audiences jumping out of their seats for nearly five decades.

Dario Argento's first film in over a decade has a terrifying new trailer . News. By Lauren Milici published 11 February 2022 ... The concept for the film first came about in 2002, ...

After a decade away from directing genre films, Dario Argento has made his return to the world of horror with the all-new thriller Dark Glasses, which is set to be debuting both on Shudder and in ...

At 81, Italian horror maestro Dario Argento is busier than ever. The director of a string of cult chiller classics starting in the 1970s, including “The Bird With the Crystal Plumage ...

Do Panic: Dario Argento’s Cinema. The Italian horror director is the subject of a new documentary and a film retrospective. But his artistry can be summed up in his feature directing debut ...

EXCLUSIVE: Shudder has acquired rights to Dario Argento Panico, Simone Scadfi’s documentary retrospective and personal portrait of the Italian giallo master, for the U.S., Canada, the UK ...

FIlm at Lincoln Center and Cinecittà announced "Beware of Dario Argento: A 20-Film Retrospective" from June 17 through 29.

Dario Argento’s Berlin Film Festival Special Gala entry Dark Glasses plays out almost like a parody of his earlier work. Co-written with Franco Ferrini, it’s a lurid giallo about a killer ...

One of horror filmmaker Dario Argento's most unnerving creations is being resurrected for fans of his films to bring home. Collectibles companies Mutant and Unbox Industries are teaming up to ...

Dario Argento Panico is not a bad documentary. It’s well-made, has plenty of interviews and clips, and will give viewers a passable potted history of his life and best films.

Collectibles company Mutant is releasing the Mad Puppet from Dario Argento’s “Deep Red” along with a 45 featuring two themes from the horror film.

‘Dark Glasses’ Review: Dario Argento Returns to the Director’s Chair with a Minor Effort. The giallo master’s first directorial effort in a decade spawns more indifference than it does scares.