Liszt’s Via Crusis, Beethoven’s Violin Concerto, premiere recordings of Ruth Gipps's orchestral works, and a glimpse into 17th century Scandinavia ...

True, Faust’s tone hasn’t the Kreislerian allure of Repin’s: her approach is cooler and her choice of the slightly mischievous cadenzas based on the ones Beethoven wrote for his piano version of the ...

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