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The "Toy Story" sequels took a tale ... As someone who has generalized anxiety disorder, I am both impressed and annoyed with "Inside Out 2." The screenplay by Meg LaFauve and Dave Holstein ...
For every great one (Toy Story 3 ... and it's fascinating to watch Inside Out 2 tackle two emotions that are such a driving force today. Anxiety justifies her actions by saying she's planning ...
In theaters June 14 And then came “Inside Out,” with a voice cast led by Amy Poehler, which returned it to the inventive glory days of “Toy Story ... in the form of Anxiety (Maya Hawke ...
The possibilities are as long as life, and given the magnificence of the first two “Inside Out” movies, a trilogy could place the franchise alongside “Toy Story” as the greatest in Pixar ...
This development has prompted the arrival of four new emotions—Anxiety ... five-year-old to McDonald’s, where they had purchased “Inside Out 2” Happy Meals. The toy they each got was ...
But when puberty hits one night, four new emotions shake up Riley's core emotions: Envy, Ennui, Embarrassment and, most of all, Anxiety. Clinical psychologist and Inside Out 2 consultant Lisa ...
On this, too, the film comes through with what needs to be understood: even against out-of-whack anxiety, we’re not powerless. Dr. Lisa Damour, author and consultant on “Inside Out 2” In one ...
As Inside Out 2 gets under way ... causing Riley to undergo wild mood swings. It turns out, a new emotion has joined headquarters: Anxiety, voiced by a terrific Maya Hawke. Anxiety has brought ...
I’m not especially malevolent or intimidating, so I didn’t expect to be the villain in the new Pixar kids’ film, “Inside Out 2.” But as it turns out, the antagonist in the movie is ...
By Reggie Ugwu “Inside Out 2” delivers a fresh crop of emotions for Riley, the film’s 13-year-old protagonist, who begins the story at the cusp of puberty. Anxiety, Embarrassment ...
The “Toy Story” sequels took a ... As someone who has generalized anxiety disorder, I am both impressed and annoyed with “Inside Out 2.” The screenplay by Meg LaFauve and Dave Holstein ...