THR is also debuting new stills from Richard Linklater's homage to 'Breathless' and the French New Wave, which premiered in ...

Linklater chose this name for his new comedy-drama because it's a movie about the French New Wave. Specifically, it's the story of the making of "Breathless," a French New Wave crime drama by director ...

The black-and-white period drama will debut in theaters on Oct. 31 before streaming on Netflix starting Nov. 14.

Richard Linklater ’s Nouvelle Vague, a cinematic homage to Jean-Luc Godard and the birth of the French New Wave, is officially arriving this awards season. After earning an 10-minute standing ...

When I first heard that “Nouvelle Vague,” Richard Linklater’s ingenious and elating docudrama about the making of “Breathless,” had been sold to Netflix, I initially had the reaction I ...

Regardless, enthusiasm is high for "Nouvelle Vague," and it's a big year for Linklater. He's staying busy, even as he works on his experimental adaptation of "Merrily We Roll Along" which he ...

Watching "Nouvelle Vague," we don’t have to squint a bit to pretend that this is Jean-Luc Godard. It seems, rather, as if Godard has sprung to life before us. And that uncanny quality extends to ...

Jean-Luc Godard’s 1960 classic Breathless is a film of grand importance and influence, which you might not know from watching Richard Linklater’s “making of” throwback Nouvelle Vague (or ...

With the truly wonderful Nouvelle Vague (New Wave), premiering today in Competition at Cannes (where else?), Richard Linklater smartly has not attempted a remake of Breathless but rather a certain ...

“Nouvelle Vague” is an homage to the New Wave era which spanned the late 1950s and 1960s with helmers such as Godard, Francois Truffaut, Eric Rohmer, Claude Chabrol and Agnes Varda inspiring ...

Nouvelle Vague’s approach is so unusual that some of the original authors accepted to participate in the recording of the “NV3” cover of their own songs. This is the statement of this 3rd album.

Making “Nouvelle Vague” was about learning as much as he could about how the French master worked. “It was almost therapeutic, or cathartic, to get to know a film so well,” Linklater said.